60 expert logo design tips|Humayun Sajjad

05. Avoid the clichés


Logo design - Federal Express, IBM, Coca-Cola, CNN, Disney, NASA
Examples of effective logotypes: Federal Express, IBM, Coca-Cola, CNN, Disney, NASA
Light bulbs for 'ideas', speech bubbles for 'discussion', globes for 'international', etc. These ideas are often the first things to pop into one's head when brainstorming, and for the same reason should be the first ideas discarded. How is your design going to be unique when so many other logos feature the same idea? Stay clear of these visual clichés and come up with an original idea and design.










With this said, please do not steal, copy or 'borrow' other designs. Although, this shouldn't have to be said, it happens too often. A designer sees an idea that he likes, does a quick mirror, colour swap or word change, and then calls the idea his own. Not only is this unethical, illegal and downright stupid but you're also going to get caught sooner or later. Do not use stock or clip art either — the point of a logo is to be unique and original.




Preparation

06. Research your audience

Logo design - Channel More 4
Good logo design doesn't just create something that looks nice - it has to communicate a brand message
Creating a logo isn't just about creating a pretty visual. What you're doing, or taking part in, is developing a brand and communicating a position. It makes sense, then, that the first step in creating a logo should be to research these concepts.

Involving the client at this early stage is advised, as your interpretation of their brand may be different from theirs, and it's essential that the message is clear before any actual designing takes place.

07. Immerse yourself in the brand

Logo design London
Hark back to the past, urges Martin Christie of Logo Design London
Before even beginning to sketch out ideas for a logo, spend some time compiling the equivalent of an M15 dossier on your client's brand: who they are, what they do and what their demographic is.

Look at previous iterations of their logo and ask yourself what doesn't represent the brand on these. Then compile a 'dos and don'ts' checklist before your creative work starts.

"Check out all the various logos your client has employed since their company was founded," advises Martin Christie of Logo Design London. "This can be particularly interesting if they go back for many decades. You may be able to hark back to the past, if they would like to position themselves as a heritage brand, or you might be able to radically overhaul their original logo into something fresh and futuristic. This has the advantage of built-in continuity even as you present a new image."

08. Keep all your sketches

Logo design - old sketches
Old sketches can be a source of new inspiration, suggests Martin Christie
"It's probably a fair guess that for every logo you design you probably come up with a couple of dozen sketches before you decide which one to develop further," adds Martin Christie. "Never throw away these early ideas; they form a valuable resource.

"Just because one of your early sketches didn't work for another client, it doesn't mean it won't work at all. Go back through what you've done and you may find the seed that, with a bit of nurturing, could grow to become the logo you're looking for.

09. Do your online research

Logo design - Logo Moose
Logo Moose is a great research resource for logo design
Two great starting points for online research are Logo Moose and Logo Gala. One thing to be mindful of is knowing when to stop your research. It's best to look at what did and didn't work out of 10 relevant logo designs than swamp yourself with 50 extraneous ones.

If you're struggling for ideas, try looking up key words in a dictionary or thesaurus or searching Google images for inspiration. If you keep a sketch book then look at previous drawings – you're bound to have unused ideas from previous projects, so you may already be sitting on the perfect solution.

10. Fight the temptation to imitate

We all have our design heroes and sometimes we love them so much we want to imitate their styles. Well, they do say imitation is the sincerest form of flattery. However, in the real world it's just a lazy way to solve a creative problem.

Ask yourself whether the style you're using is appropriate for the client's needs. Do they really want a logo that has the same typeface Saul Bass used for Quaker Oats in the '70s?

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